Yes, I’ve been absent again for a while but let’s get back to that later. It’s the Oscars week and I’m so behind. Here are my thoughts on the first two best picture nominees that I saw. And what are their chances on Sunday evening.
ARRIVAL (2016)
Directed by Denis Villeneuve
Written by Eric Heisserer
Starring Amy Adams, Jeremy Renner & Forest Whitaker
Denis Villeneuve’s last two films I liked a lot. His style is extraordinary and in Arrival it is on its full potential. Arrival is astonishing. I absolutely loved it! It will probably be at least in top-3 of my films of 2017 or if not, this will be helluva year. I think Arrival deserves every praise it gets and then some more.
First of all, Villeneuve obviously is the master here, it’s his vision that shines through. Also the screenplay is spellbinding. I was totally hooked. At some point I had grabbed the seat on front of me (in cinema) and was sitting right on the edge of my own seat without realising that I was doing that, I was so absorbed into the film. And that’s what I talk about when I say it is Villeneuve’s vision. Unbelievable. And to support that there’s beautiful production design, simple but effective.
Cinematography. Well, of course. If you’ve seen the film, you know how suitable eerie it looks. And editing obviously clearly makes the pace, perfectly. Sometimes dwelling in feeling, sometimes throwing the viewer in the middle of a mess. And again here we can see how cleverly the script is written. The film never lets you off the hook. And it makes you think. And feel. And perhaps, if you think and feel hard enough, understand. It is actually hard to write about it as it is that kind of a film you need to use all your senses and no words would do honour for it.
What still makes me angry, is that Jóhann Jóhannsson wasn’t eligible for the score because it’s stunning! He is quickly becoming one of my favourite composers if not the one. In Arrival music and sounds are so, so important. And that’s why I really feel that it should win for the sound editing at least and also for mixing.
It bums me out that Amy Adams wasn’t recognised as she is as good as ever. She’s my favourite actress and I don’t think she’s ever bad and surely she wasn’t here. But thankfully it’s been a very good year for female leads as there were too many to choose from. Adams is the player here, everyone else is just there to make the story go further. Except the aliens. They’re important. And I never complain when I see Mr. Renner on screen.
So, to sum it up. I would love to see Arrival to win for cinematography, maybe editing, both sounds and as I appreciated its simplicity, also production design. And tie with directing. I think. I still haven’t seen all the nominees (yeah, I know, so late!!!), so it’s hard to say yet plus there was one that I also loved, so…But still, perfection.
Rating: ***** (out of 5)
MANCHESTER BY THE SEA (2016)
Directed by Kenneth Lonergan
Written by Kenneth Lonergan
Starring Casey Affleck, Lucas Hedges, Michelle Williams & Kyle Chandler
So, I saw these two films in a row and in this order. That might have affected somehow how I viewed Manchester by the Sea. I can’t really say if I’d liked it more if I hadn’t watched Arrival just before it. Or maybe I wouldn’t have liked it as much as I did because I was already in the mood to watch great movies. I don’t know but I know I did like Manchester quite a lot. It was a good cinema day.
Manchester by the Sea is nominated for six Oscars and will most probably win for the leading role for an actor as Casey Affleck is impressive. It is his show as much it is director-writer Lonergan’s. Affleck is mesmerizing. He does so little but tells so much. All those suppressed feelings are there for the viewer to see and feel. Manchester by the Sea is heartbreakingly sad story of ordinary people. People who are like anyone of us. Besides Affleck, Hedges and especially Williams have earned their nominations. That scene in the movie poster is perhaps the most moving scene in the film and it’s such a showcase for Affleck and Williams; they’re so authentic, so raw, so full of emotion. If Arrival is a story of human kind, Manchester by the Sea is a story of humans.
Besides acting, Manchester is nominated for the original screenplay, directing and the best picture. It could win for all and I wouldn’t really mind. But I think it will win for the screenplay and it definitely should. I adored it. I loved the way the story was told the way that it just began, like when meeting a new person. And then you get to know them, little by little. You start to understand why they do something, why they say something, why they like or don’t like something. Manchester is like that. At first you are like “who the f is this guy and why he is there” but then, a little by little, you start to understand and sympathize. Life is life and you just have to live it. Also, big points for the ending.
This has nothing to do with the film but she’s beautiful. From January Elle magazine.
One thing that I didn’t really like was the music, it’s too hard. It annoyed me. But otherwise, beautiful film and sad story about life that I think I will definitely see again. And I’ll be mad if Lonergan won’t win for the screenplay and Affleck for the lead actor, they are THAT good.
Rating: ****½
P.S. 2017 is already better movie year for me (as I’ve seen all nominees this year) than the last year was. Yay for that!
Here we are again. The best time of the year, the Oscars time! And here are my final nominations. In few hours we’ll be hearing what the Academy picked.
Let’s continue. In the last post I previewed some of the Best Picture hopefuls that I think have good chances to get nominated. Here are some more.
As promised, I’ll take a little more detailed look to upcoming Oscar hopefuls. Here are the first seven Best Picture hopefuls that I think have good chances to end up being nominated.
Sully – Tom Hanks
Fantastic Beast and Where to Find Them
Billy Lynn’s Long Halftime Walk
