The Oscars Nominations Predictions 2017

The 85th Academy Awards® will air live on Oscar® Sunday, February 24, 2013.Here we are again. The best time of the year, the Oscars time! And here are my final nominations. In few hours we’ll be hearing what the Academy picked.


  • La La Land
  • Manchester by the Sea
  • Moonlight
  • Arrival
  • Fences
  • Lion
  • Hidden Figures
  • Hell or High Water
  • Hacksaw Ridge

  • Silence
  • Deadpool

I couldn’t pick my 10th option because I’m hopeless optimistic and actually think they would go for R-rated comic book movie. Right yeah? I kind of wanted to leave Hidden Figures out as well but this is where the final list now. At the moment it’s either La La Land’s or Moonlight’s to lose.



  • La La Land – Damien Chazelle
  • Manchester by the Sea – Kenneth Longergan
  • Hell or High Water – David McKenzie
  • Arrival – Denis Villeneuve
  • Moonlight – Barry Jenkins

  • Hacksaw Ridge- Mel Gibson
  • Fences – Denzel Washington
  • Silence – Martin Scorsese
  • Lion – Garth Davis

By far the hardest category to predict this year. The three of them are absolute locks (Chazelle, Lonergan and Jenkins) but the two others… I believe that Villeneuve is due with a nomination (I haven’t seen Arrival yet but I’m only hearing good things plus he’s done great job with previous films that were nominated, Prisoners and Sicario) but the last slot was hard to decide. I played a wild card.


  • La La Land – Ryan Gosling
  • Fences – Denzel Washington
  • Manchester by the Sea – Casey Affleck
  • Hacksaw Ridge – Andrew Garfield
  • Captain Fantastic – Viggo Mortensen


  • La La Land – Emma Stone
  • Jackie – Natalie Portman
  • Arrival – Amy Adams
  • Florence Foster Jenkins – Meryl Streep
  • Elle – Isabelle Huppert

Loving – Ruth Negga

Because of the story of Loving, I wanted to give a slot for Ruth Negga but Huppert has been really strong and one can never leave Streep out, especially when she gave amazing speech at the Golden Globes in the middle of voting of the Oscars nominations.


  • Lion – Dev Patel 10
  • Moonlight – Mahershala Ali
  • Hell of High Water – Jeff Brigdes
  • Florence Foster Jenkins – Hugh Grant
  • Nocturnal Animals – Aaron Taylor-Johnson

  • Manchester by the Sea – Lucas Hedges

I just might be hopeful here again but if Nocturnal Animals will soar at least a bit, Taylor-Johnson will be in. And the Academy has avoid to nominate younger actors in this category like Tremblay last year. But Hedges has been strong so far, so this is a game.



  • Hidden Figures – Octavia Spences
  • Fences – Viola Davis
  • Manchester by the Sea – Michelle Williams
  • Naomi Harris – Moonlight
  • Lion – Nicole Kidman



  • Manchester by the Sea
  • The Lobster
  • Hell or High Water
  • La La Land
  • Captain Fantastic



  • Moonlight
  • Fences
  • Lion
  • Nocturnal Animals
  • Arrival

  • Hidden Figures

OK, I have a thing for Nocturnal Animals even I haven’t seen it, so again, I’m putting it ahead of probably stronger contender.


  • La La Land
  • Silence
  • Arrival
  • Lion
  • Moonlight



  • La La Land
  • Manchester by the Sea
  • Arrival
  • Moonlight
  • Hacksaw Ridge


COSTUME DESIGNjackie_costumes

  • Fantastic Beast and Where to Find Them
  • Jackie
  • La La Land
  • Florence Foster Jenkins
  • Allied



  • La La Land
  • Fantastic Beasts and Where to Find Them
  • The Handmaiden
  • Jackie
  • Arrival



  • A Man Called Ove
  • Deadpool
  • Florence Foster Jenkins

  • Star Trek Beyond

I asked my make-up artist friend’s opinion here and she chose Deadpool instead of Star Trek Beyond. I’ll blame her if I’m incorrect.


  • La La Land
  • Arrival
  • Rogue One
  • Hacksaw Ridge
  • Deepwater Horizon


  • Hacksaw Ridge
  • Deepwater Horizon
  • Roque One
  • Arrival
  • The Jungle Book



  • Rogue One
  • The Jungle Book 5
  • Arrival
  • Strange
  • Fantastic Beasts and Where to Find Them



  • Moonlight (Nicholas Britell)
  • Jackie (Mica Levi)
  • La La Land (Justin Hurwitz)
  • The BFG (John Williams)
  • Rogue One (Michael Giacchino)



  • Lion (Dustin O’Halloran, Hauschka)

I’m still a bit annoyed that Jóhann Jóhannsson is not eligible for Arrival as he is these days one of my definite favourite composers. Love his work! I wanted to leave John Williams out but you know, you just can’t. And it’s traditional that the composers branch always vote for their own and already now there are THREE new comers. I hardly see that happening but I don’t know who else to pick. Justin Hurwitz all the way, I looooooove La La Land’s soundtrack!



  • Moana – How Far I’ll Go
  • La La Land – Audition (The Fools Who Dream)
  • La La Land – City of Stars
  • Sing Street – Drive Like You Stole It
  • Trolls – Can’t Stop the Feeling

  • Sing – Faith
  • Hidden Figures – Runnin’

Always hard category to predict. I gave a chance to Sing Street’s 80’s sounds, it’s a gamble, I know. I hope that the song above wins, I can’t get enough of it.


  • Zootopia
  • Kubo and the Two Strings
  • The Red Turtle
  • Moana
  • My Life as a Zucchini

  • Finding Dory

Yes, I left out a Pixar film. I’m aware.



  • Cameraperson
  • I am Not Your Negro
  • 13th
  • OJ: Made in America
  • The Eagle Huntress

  • Weiner



  • Toni Erdmann (Germany)
  • The Salesman (Iran)
  • Land of Mine (Denmark)
  • A Man Called Ove (Sweden)
  • My Life as a Zucchini (Switzerland)

  • It’s Only the End of the World (Canada)

I have a feeling I should not count out Xavier Dolan but I don’t know what else to do.



  • Inner Workings
  • Piper
  • Blind Vayasha
  • Borrowed Time
  • Pearl



  • Graffiti
  • Nocturne in Black
  • Sing (Mindenki)
  • Timecode
  • The Way of Tea



  • White Helmets
  • Joe’s Violin
  • Extremis
  • The Mute’s House
  • Watani: My Homeland


Agree, disagree? We’ll now soon enough how I did this year.


Stranger Things Review

I’ve been away for over three months and that I apologize. I’ll get back to that but now the stranger_things_posterreview for my new favourite TV show. Again, like usually, spoiler-free.


Created by The Duffer Brothers

Starring Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer & Charlie Heaton

Synopsis: “When a young boy disappears, his mother, a police chief, and his friends must confront terrifying forces in order to get him back.” (IMDb)

Few days ago I read a review of Suicide Squad where the writer complained about that there’s no more heart in filmmaking when everyone is just following same script and making same kind of superhero movies that have worked during the few last years. And I know what that person means. It’s all been about making money lately. Who gets the biggest opening, who hires the biggest starts, who has the biggest audience and especially who makes the most money. I’ve liked quite a few of those films but then again, I’ve kind of forgotten them almost immediately. On TV side there’s been amazingly great television lately but for some reason it’s glorious and looks amazing but it’s cold, dark, brutal, sad, violent and makes you feel dirty. To be honest, Stranger Things is also dark, actually very dark, especially literally and it is sad and a bit violent and people are dirty in it. It’s also cold in it. And brutal too, I guess. But what matters the most, it has huge, beating heart in the middle of it.


When watching Stranger Things you can feel the love. Love towards filmmaking, 80’s, Spielberg, King, fairytales, good, old-fashioned good vs. evil. All those things that made you (or at least me) to fall in love with movies. That “larger than life” thing, you know? Besides that you can feel it, it is there to see in all those big and little details. You can easily see it in those photos of the set, how they look, how the setting is and obviously story owes so much to all those stories before it but yet again, it’s original and somehow weirdly fresh. And with a lot of twists.


It’s always risky placing a kid in the centre of your film as child actor can easily ruin your story. It’s even riskier to put a bunch of them there but in Stranger Things all kids can carry their parts and even more. I loved every character, especially the lads in the center of it all and even more specifically Finn Wolfhard as Mike as he brought such maturity to the role that kind of variety might be hard to reach even for an adult. And none of these kids have THAT long careers behind them yet. And same goes for guys who created the show, Matt and Ross Duffer aka The Duffer Brothers. As directors both of them (they’re twins) have four (!) credits in IMDb. Not much. So kudos to them; well done! I wonder if they’re both married. :p


The Duffer Brothers

Back to Stranger Things. Besides the great cast (only Winona Ryder was a bit too much for me from time to time), set decoration, all production design is basically flawless (surely some have already found flaws); it feels like you’ve watching some strange and much, much scarier E.T. And on that mark, do remember to give this excellent series its whole credit and watch it in dark after the sun has set. And how fun it is to spot all those popular culture references? At least to me it never gets old.




What else? Nothing really, just watch it. I don’t know anybody who hasn’t liked it. To me it was total 5/5. The best new series since Sherlock (I watched that later than GoT). I don’t know how Netflix manages to do this, finding such talents, but I do hope they will continue doing it.

Rating: ***** (out of same amount)


The Oscars Review: Room & Brooklyn

I know. I’m late with this and I actually already decided not to write this post at all but as I’m now a bit lazy mood after spending hours reading others’ blogs, I’ll just go with this now. roomthemoviewithbrielarson

ROOM (2015)

Directed by Lenny Abrahamson

Written by Emma Donoghue

Starring Jacob Tremblay & Brie Larson

Synopsis (Imdb): “A kidnapped mother and son make a daring escape, and experience a dramatic homecoming provoking a look into the power of imagination and the unstoppable force of a mother’s love.”

I really, really wanted to love this little film but unfortunately I didn’t. Room was nominated for four Oscars this year including the best picture, actress in a leading role, adapted screenplay and directing. And it should have been nominated for the best actor in a leading role too as Jacob Tremblay is the star of the film (with Larson). It still bugs me that he wasn’t. But thankfully he stole the show in most of the awards shows anyway.

Besides Tremblay, Larson was on top form and I’m very glad she won the best actress. I’ve liked her since seeing her in 21 Jumps Street and in all of the films I’ve seen her since she’s been at least good and very relatable. In Room she’s fantastic. Although I didn’t really like her character. But I think that is a praise to her acting skills as her character has a hard time to adjust and acts like that. It was much easier to like Tremblay’s Jack than Larson’s Ma. The acting is anyway definitely the best part of Room.

I’m not sure if I 100% support Abrahamson’s directing nod. The film is well-done and especially interestingly shot but that’s due to cinematography, I think. It’s amazing how Room looks like before and after. Maybe it’s Abrahamson who got those amazing roles out of his two stars. I don’t know but I’m sure he’ll have bright future ahead. I’m glad Emma Donoghue got a nod for writing as the original novel is hers too. And I do think that if you’re going to nominate something for directing, writing and acting, it should be the best picture contender too, so that was OK.


When it comes to my opinion outside of acting, I don’t know. I was a bit bored, the story became quite soon an uninteresting one and I just wished that the film would end. It didn’t go under my skin what I was expecting after all the praise. Over-hype made it underachiever to me, I guess. It’s good but nothing spectacular.

Rating: ***½ (out of 5)



Directed by John Crowley

Written by Nick Hornby (novel by Colm Tóibín)

Starring Saoirse Ronan, Emory Cohen & Domhnall Gleeson

Synopsis: “An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.”

If Room was boring to me, this was way worse! I think I took three pauses while watching Brooklyn, it just wasn’t interesting enough. Brooklyn was nominated for three Oscars; picture, adapted writing and best actress. And I don’t really know why? OK, I admit, Saoirse Ronan was great but she’s quite often great. Her character is shitty, little bitch who doesn’t appreciate anything. (See, there’s my problem with this film; I couldn’t relate to it at all!) I also think that Emory Cohen was very good, he was like I imagine good Italian boys of that time to be. His character was deffo the best thing in film. Apart from costumes, I liked those!


When I saw the first trailer for Brooklyn, I thought it would be totally my cup of tea and usually I like this kind of stuff but this time when I wasn’t bored I was frustrated of infuriated with Ronan’s character, Eilis. How annoyingly selfish a person can be? Gosh. Come on, girl! You have your whole life ahead of you and you just whine and whine and stay miserable. Plus the character is really bland. Not good entertainment.

What did I like? Well, it looks pretty, the colours are nice and like I mentioned, I liked the costumes and Emory Cohen. And Irish accents. And New York but I always like New York.

Rating: **½ (out of 5)


New York by me back in 2009. 

The Oscars Reviews: Spotlight & The Revenant

It’s been a month since I saw these two, so it feels a bit silly to write about them now but as I will go through their Oscars chances at the same time, let’s do it anyway.

spotlight_posterSPOTLIGHT (2015)

Directed by Tom McCarthy

Written by Josh Singer & Tom McCarthy

Starring Michael Keaton, Mark Ruffalo, Rachel McAdams, Liev Schreiber, Stanley Tucci, John Slattery & Brian d’Arcy James

Synopsis (by IMDb): “The true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese, shaking the entire Catholic Church to its core.”

I wish Spotlight would win the Best Picture on Sunday. To me it is the best picture of the season. I came out of the cinema trembling. From time to time I get physical reaction to movies and this one was one of them and the physical reaction (if not puking) is the mark of remarkable film. Spotlight is remarkable and should be awarded because of that.

When you read the synopsis of Spotlight or hear what it is about, it sounds boring, doesn’t it? And it is actually made that way. It tells a story what happened and I don’t believed it’s hugely dramatized either, it doesn’t look like it and it doesn’t feel like it, but at least to me it affected much more deeply than any other film this year. It engaged me into the story so fully and in a way that I didn’t even realise it did it before I was feeling so much it was a bit hard to bear. Masterful filmmaking.


Like I said, I hope it gets the best picture Oscar on Sunday’s Oscars. Spotlight is not parts, it’s a whole. Mark Ruffalo and Rachel McAdams got supporting nods but they are just part of the great cast and I don’t believe any of them is better than the other. Ruffalo’s part is a bit more flashier than others and draws the attention while McAdams is basically the only woman on the screen; they’re both great but I so is the whole cast. I believe McCarthy is also worth of an Oscar but I have to admit (as you can read in the following review) that he will most probably not win it except maybe for the best screenplay where Spotlight has the best chance of winning. The editing Oscar is still wide open, I think, it could go to Spotlight or The Big Short or Mad Max.

All in all, Spotlight to me was a perfection. It’s not Star Wars, it doesn’t change your life but there’s nothing wrong with it, quite the opposite, everything works so well that it’s a bit hard to realise it. To me the best thing was that it affected to my feelings so deeply it felt bad and it should feel bad. Like said, masterful.

Rating: ***** (out of 5)


The Revenant (2015)

Directed by Alejandro González Iñárritu

Written by Mark L. Smith & Alejandro González Iñárritu

Starring Leonardo DiCaprio (and Tom Hardy & Domhnall Gleeson)

Synopsis: “A frontiersman on a fur trading expedition in the 1820’s fights for survival after being mauled by a bear and left for dead by members of his own hunting team.”

There were approximately 10 minutes for me between seeing Spotlight and The Revenant. I still wonder if it affected my liking of The Revenant. I guess I only find outleo1 if I ever watch it again. And I’m not sure if I ever want to watch it again.

Well, first of all: Leonardo DiCaprio will win his Oscar this year. For sure and very much deservingly so. I still think he was better in The Wolf of Wall Street as it was comedy, something I didn’t think Leo is capable of doing, but yes, of course, his role in The Revenant is… um… Excellent? First-rate? Like he always is. Anyway, I’m glad he finally gets the statue, he’s one of the best ones in the industry. Tom Hardy is nominated in the supporting category and I’m glad he is, he’s really good in this one (but then again, isn’t he always?) but I doubt he’ll win this time.

It seems to me that it’s a bit hard for me to write this review, so I’ll just go straight ahead to the Oscar nominations and review The Revenant via them. 12 nominations including best picture, director, actor, supporting actor, cinematography, editing, makeup, costumes, 2 x sound, production design & visual effects. That’s a lot. The Revenant already won in the Golden Globes for the best picture, director and Leo as well as in BAFTAs for all of those plus cinematography and sound. Lubezki got the statue from American Society of Cinematographers too and I believe that he will get it again (third time in a row!) from the Academy and yes, he again deserves it, shooting in natural light is a pain in the ass and The Revenant looks amazing (although, I wasn’t a big fan of those “nature stills” like melting snow etc., they kind of felt like “this looks pretty, let’s put it in”…). All in all, all those technical achievements in The Revenant are top notch. I can’t deny that. And it will probably win a bunch of those awards, for sound I guess at least and I liked the makeup and hair styling, both looked authentic. The bear didn’t but I think it must have influenced my viewing that I knew it was made with CGI.

I’ve been Iñárritu’s fan since Amores Perros and I really, really wanted The Revenant to be his best work to date but unfortunately, to me, it isn’t (Amores Perros still is). It feels like he has lost “the loving feeling” when trying to achieve something that has never been done before. He is one of the best directors working today and his films are technical marvels but like Birdman last year, The Revenant also left me cold. In the end I just didn’t care who lived or who died, I just wished it would be over. But yay for Leo!

Rating: **** 


The Oscars reviews: Bridge of Spies & The Big Short

bridgeofspiesReviews, as promised.


Directed by Steven Spielberg

Written by Ethan & Joel Cohen & Matt Charman

Starring Tom Hanks & Mark Rylance

Synopsis (via IMDb): “During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.”

Bridge of Spies is nominated for six Oscars: best picture, supporting actor, original screenplay, production design, original music and sound mixing and to me this film is worthy of all of those nominations. I predicted it will get five out of those six and I only left music out as there just wasn’t enough slots for Thomas Newman who scored the film. But the soundtrack of Bridge of Spies is beautiful and deserves to be nominated. And even possibly might win as Newman has been nominated for 13 times but has never won. Though, unfortunately for him, I doubt he will win this year either. Morricone’s music for The Hateful Eight is just way too good.

Bridge of Spies is guaranteed Spielberg. By far it’s not his best work but solid still. Spielberg doesn’t really do bad films, does he? I don’t think so… Oh, well, the last Indy. Ugh. OK, so he does but not often. Bridge of Spies is quite close to Spielberg’s last effort, Lincoln. It’s more entertaining and light and doesn’t have that many long monologues but it also doesn’t have Daniel Day Lewis. Tom Hanks is Tom Hanks, the everyman, in the role of James B. Donovan. And he nails it but it’s nothing spectacular. Then again, Mark Rylance as Rudolph Abel is a perfection, I loved his work and despite the fact that all the guys in supporting category are probably deserving, I hope Rylance will win, he’s so good. Other actors are irrelevant to the story and I don’t really even remember their faces anymore. But all solid, obviously, it’s Spielberg’s film after all and I doubt his casting has ever really gone wrong.


The writing is interesting enough and actually well-done as I was so frustrated to Americans while watching this. The flow of the film works. But it will not win the Oscar. But I hope it will win for the Production Design, it deserves it. Nice job! And even though I’m not the girl to truly understand sound design, in this film I did pay attention because it felt real. All the noises around that you hear were there and they felt real, like a traffic outside of your apartment. All in all, Bridge of Spies is good but not spectacular. I was moved by it and felt a bunch of other emotions, so that’ll do. Plus it looks very good.

Rating: **** (out of 5)



Directed by Adam McKay

Written by Charles Randolph & Adam McKay, book by Michael Lewis

Starring Christian Bale, Steve Carell, Ryan Gosling, Brad Pitt, John Magaro & Finn Wittrock

Synopsis: “Four denizens of the world of high-finance predict the credit and housing bubble collapse of the mid-2000s, and decide to take on the big banks for their greed and lack of foresight.”

The Big Short kind of came out of nowhere. Surely as soon as they announced that the film will be out this year, it got some hype already because of the actors but then nothing and then suddenly it was getting nominated all around. And finally for the Oscars where it is nominated for five Oscars including the best picture, supporting actor, directing, adapted screenplay and editing. Big ones! And again, deservedly so.

Since Whiplash this has been the biggest surprise to me and in a positive way for sure! I had my doubts, it’s a film about housing market collapsing after all, how exciting that can be? Apparently, very. I wasn’t at all fond of Adam McKay, the director, before seeing The Big Short and I really didn’t believe that this film can be any better than his previous films. I’m glad to say, I was wrong. The Big Short is a very, very good film. It’s entertaining, thrilling, fun, sad, frustrating and glitzy at the same time. And very smart. The writing is top-notch and I wish it’ll win for the best adapted screenplay, it earns it. I still can’t believe how they managed to explain those complicated financial matters involved in housing markets to us less aware of stock exchange or insurance markets. And doing it by very entertaining way. Thumbs up! Besides writing, I think it will take home the Editing award, it should. It’s THE thing in this film that drives it forward and makes it as fast-paced as it is. Super important and extremely well-done.


I tend to always forget how good of an actor Christian Bale is when I don’t see his films for a while. He just is, really good, a chameleon. Great supporting role here again. Others are good too, but he’s better.

I don’t know what else to say. I loved The Big Short, I think I want to see it again. It’s that entertaining. And surprisingly relevant, read the last texts.

Rating: ****½ 

The Oscar Nominations – how did I do and what else went wrong?

The 85th Academy Awards® will air live on Oscar® Sunday, February 24, 2013.It’s been few days and let’s reflect now how I did with my predictions and other thoughts concerning the Oscar nominations 2016.

All in all I did ok. BUT I should never trust my gut feeling or change things during the last couple of days because apparently they will go wrong. I was 75% correct this year. Not my best but not my worst either.

BEST PICTURE I predicted following:

  1. Spotlight
  2. Mad Max Fury Road
  3. Carol
  4. The Martian
  5. The Revenant
  6. The Big Short
  7. Bridge of Spies
  8. Inside Out
  9. Brooklyn
  10. Straight Outta Compton

I got Carol, Inside Out and Straight Outta Compton wrong and left Room out. I’m genuinely surprised by Carol’s omission, I thought it would be shoo-in. I saw Carol tonight and well, I’m not that surprised anymore. I’ll write a review later. I’m glad Room is in, I believe it’s worth of it even though I haven’t seen it yet. And I’m sad Inside Out is out. I still need to see half of the best picture nominees until I can have proper opinion here. HERE you can see all the nominations.



  1. Mad Max: Fury Road – George Miller
  2. Spotlight – Thomas McCarthy
  3. Carol – Todd Haynes
  4. The Revenant – Alejandro Gonzales Iñarritu
  5. The Martian – Ridley Scott

I had two wrong ones; Ridley Scott and Todd Haynes. I’m a bit surprised of both but especially Scott, he should be there but it’s nice that Lenny Abrahamson of Room got in and well, now, after seeing The Big Short last night, I’m very happy that Adam McKay got in. The film is great!


  1. The Martian – Matt Damon
  2. Steve Jobs – Michael Fassbender
  3. The Revenant – Leonardo DiCaprio
  4. The Danish Girl – Eddie Redmayne
  5. Trumbo – Bryan Cranston



  1. Bridge of Spies – Mark Rylance
  2. Creed – Sylvester
  3. Beasts of No Nation – Idris Elba
  4. 99 Homes – Michael Shannon
  5. Spotlight – Mark Ruffalo

The best actor I got 5/5 and with supporting 3/5. I’m sad that they passed Idris Elba, the Academy should have included him. Well, I love Hardy and Bale who got in instead, so can’t complain a lot. And after seeing Bale’s performance yesterday, well, he’s fantastic in The Big Short. Then again, isn’t he always?


  1. Carol – Cate Blanchett
  2. The Danish Girl – Alicia Vikander
  3. 45 Years – Charlotte Rampling
  4. Room – Brie Larson
  5. Brooklyn – Saoirse Ronan


  1. Carol – Rooney Mara
  2. The Hateful Eight – Jennifer Jason Leigh
  3. Steve Jobs – Kate Winslet
  4. Spotlight – Rachel McAdams
  5. Trumbo – Helen Mirren

With the best actress I got Alicia Vikander wrong and I think that’s wrong. Both, Rooney Mara and Alicia Vikander should be within the leading ladies. Their parts are HUGE! Mara’s even bigger than Blanchett’s… Idiotic. But I like Jennifer Lawrence and she’s great in Joy which to me was generally more enjoyable film than The Danish Girl or Carol. In supporting I had Mirren wrong which I’m glad about. I still need to see Spotlight of those in supporting category but I hope Alicia Vikander will win, she’s extraordinary in The Danish Girl. Review coming later.


  1. The Hateful Eight – Quentin Tarantino
  2. Inside Out – Pete Docter, Meg LeFauve & Josh Cooley
  3. Spotlight – Tom McCarthy & Josh Singer
  4. Bridge of Spies – Matt Charman & Coen brothers
  5. Ex Machina – Alex Garland


  1. Carol – Phyllis Nagy
  2. Room – Emma Donoghue
  3. The Martian – Drew Goddard
  4. Steve Jobs – Aaron Sorkin
  5. The Big Short – Charles Randolph & Adam McKay

 In original screenplay category I got 3/5 correct and in adapted 4/5. In the latter I’m hugely amazed that Aaron Sorkin was left out, I have no idea what happened there?! No words for that. I’m also surprised that Tarantino was left out in original category especially because the writing of Straight Outta Compton is a bit clumsy… Oh well. My favourites to win are Inside Out and The Big Short. Any film that has Margot Robbie in a bubble bath should win an Oscar.



  • Mad Max Fury Road
  • The Revenant
  • Sicario
  • Carol
  • The Hateful Eight

BEST EDITING was 4/5 The Force Awakens replacing The Martian

  • Mad Max Fury Road
  • The Revenant
  • The Martian
  • Spotlight
  • The Big Short

BEST PRODUCTION DESIGN was also 4/5 The Martian replacing Carol which I easily understand now after seeing Carol tonight.

  • Mad Max Fury Road
  • Carol
  • Bridge of Spies
  • The Danish Girl
  • Star Wars: The Force Awakens

BEST COSTUME DESIGN again 4/5 The Revenant replacing Brooklyn

  • Cinderella
  • Carol
  • Brooklyn
  • Mad Max: Fury Road
  • The Danish Girl


  • Mad Max: Fury Road
  • Holmes
  • The Revenant

Here I should have predicted  A 100-year-old Man Who Climbed Out of the Window and Disappeared because it was so “out-there” option. So, 2 out of 3.



  • Carol – Carter Burwell
  • The Danish Girl – Alexander Desplat
  • The Hateful Eight – Ennio Morricone
  • Inside Out – Michael Giacchino
  • Star Wars: The Force Awakens – John Williams

Well, here I had 3/5 and I’m a bit sad that Alexander Desplat is not nominated for The Danish Girl, it’s beautifully composed. And I predicted Giacchino for Inside Out but I’m soooooo much happier that Jóhann Jóhannsson got nominated for Sicario because that is one of my favourite soundtracks of the year. That guy is becoming one of my favourite composers quickly. Yay!

BEST SONG I got 3/5 correct here which is good enough for me as this category is always so tricky. I’m sad for See You Again because it’s a great song. I hope Lady Gaga wins.

  • Spectre – Writings on the Wall
  • The Hunting Ground – Til It Happens To You
  • Youth – Simple Song #3
  • Fifty Shades of Grey – Love Me Like You Do
  • Furious 7 – See You Again


  • Mad Max: Fury Road
  • The Martian
  • The Hateful Eight
  • The Revenant
  • Star Wars: The Force Awakens


  • Mad Max: Fury Road
  • The Martian
  • Bridge of Spies
  • Star Wars: The Force Awakens
  • The Revenant

 In sound editing I had 4/5 missing Sicario and putting The Hateful Eight in. And in mixing I had 5/5. Cool.


  • Mad Max: Fury Road
  • Jurassic World
  • Star Wars: The Force Awakens
  • The Martian
  • The Revenant

I missed Ex Machina which I changed back to Jurassic World during the last day. I should never do that!


BEST FOREIGN LANGUAGE I got one wrong. That was Theeb from Jordan that won over Labyrinth of Lies from Germany. Not so surprising actually.

  • Son of Saul (Hungary)
  • Mustang (France)
  • Embrace of the Serpent (Colombia)
  • Labyrinth of Lies (Germany)
  • A War (Denmark)


  • Inside Out
  • Kahlil Gibran’s The Prophet
  • Anomalisa
  • The Good Dinosaur
  • The Peanuts Movie


  • Amy
  • Cartel Land
  • The Look of Silence
  • Best of Enemies
  • Going Clear: Scientology and the Prison of Belief

The animated feature category keeps surprising me and I should probably remember that the next year. I also have no opinion here except that I wish Inside Out will win. I got 3/5 also in documentary category. I’m a bit surprised that scientology doc Going Clear didn’t make it… Maybe so many of those Academy members are actually members?

 BEST ANIMATED SHORT I had 4/5, Carface instead of We Can’t Live Without Cosmos

  1. World of Tomorrow
  2. Sanjay’s Super Team
  3. Bear Story
  4. Carface
  5. Prologue

BEST SHORT DOCUMENTARY was also 4/5, Minerita instead of Body Team 12 (I don’t even know why I chose that?)

  1. Claude Lanzmann: Spectres of the Shoah
  2. Last Day of Freedom
  3. Minerita
  4. Chau Beyond the Lines
  5. A Girl in the River



  • Ave Maria
  • Bis Gleich
  • Shok
  • Stutterer
  • Winter Light

In the last category I got two wrong, they were Bis Gleich and Winter Light and the nominees are instead Day One and other German short Everything Will Be Okay (Alles Wird Gut). Again I have no opinion.

That’s it folks. I will continue reviewing the nominees for the next month and write other Oscars stuff. Again, HERE you can see the nominees and later on also my own wishes for the winners and my eventual predictions before the Gala on 28th of February.

The Oscar Predictions 2016 #4

The 85th Academy Awards® will air live on Oscar® Sunday, February 24, 2013.And the last predictions are here before the actual nominations announcement.


  1. Carol – Carter Burwell
  2. The Danish Girl – Alexander Desplat
  3. The Hateful Eight – Ennio Morricone
  4. Inside Out – Michael Giacchino
  5. Star Wars: The Force Awakens – John Williams
  6. Mad Max: Fury Road – Junkie XL
  7. Sicario – Jóhann JóhanssonSpotlight – Howard Shore
  8. The 33 – James Horner
  9. Bridge of Spies – Thomas Newman

Composers are known to vote the same guys (yes, guys) every year. It’s very hard to break into this category. Carter Burwell has never been nominated for an Oscar but he has been nominated for BAFTA, Golden Globe and Emmy, so I reckon this is his year. All of the others have been nominated, John Williams for 49 times (he has won five times). This year I believe it’ll be Morricone’s. The music of The Hateful Eight was the best in the film. I do hope Junkie XL would make the cut but I doubt it. Sicario’s score is really good, so I kept it there but Jóhann Jóhansson just won the last year, so maybe they won’t nominate him again. James Horner unfortunately died last year in an accident and he might get a nomination because of that. Such a loss. Shore is always an option and so is Thomas Newman who’s been nominated for 12 times but never won. We’ll see.


  1. Mad Max Fury Road
  2. Carol
  3. Bridge of Spies
  4. The Danish Girl
  5. Star Wars: The Force Awakens
  6. Cinderella ???
  7. The Martian
  8. The Revenant
  9. Crimson Peak


Again some question marks. I have been going back and forth with this category. Cinderella and Crimson Peak both look amazing and I also appreciate how Mars looks in The Martian. And apparently The Revenant works too. But I think this one goes to Bridge of Spies, its set decoration is beautiful and everything is in its place. But I haven’t seen Carol and The Danish Girl yet, so I might chance my mind.

7fa5a9336e440c4abab068973ebbbd5fBEST SUPPORTING ACTRESS

  1. Carol – Rooney Mara
  2. The Hateful Eight – Jennifer Jason Leigh
  3. Steve Jobs – Kate Winslet
  4. Spotlight – Rachel McAdams
  5. Trumbo – Helen Mirren ????
  6. Clouds of Sils Maria – Kristen Stewart ????
  7. Ex Machina – Alicia Vikander
  8. Youth – Jane Fonda
  9. Love & Mercy – Elizabeth Banks

7e736b8dd9de643fc32fd6ea542bcbf7BEST SUPPORTING ACTOR

  1. Bridge of Spies – Mark Rylance
  2. Creed – Sylvester
  3. Beasts of No Nation – Idris Elba
  4. 99 Homes – Michael Shannon
  5. Spotlight – Mark Ruffalo
  6. The Big Short – Christian Bale
  7. Spotlight – Michael Keaton
  8. Love & Mercy – Paul Dano
  9. Sicario – Benicio del Toro

My two least favourite categories this year. Not because they’re bad but because I can’t decide. As you can see there are too many possibilities. And I’m not sure at all I chose correctly. With guys all of them are deserving, all nine of them what I’ve read and seen. I’m gambling on Shannon even though in the end the last spot will probably go to Bale or Keaton but this is my gut feeling and I’ll go with it. And when it comes to ladies, I have Vikander in leading category now with The Danish Girl and I really, really wanted to put her here too but as I can’t see Rachel McAdams missing the slot and I think older folk of actors branch will vote for Mirren, I just couldn’t fit her there because the first three are definite. But to be honest, if any of these people get the nod, I’m happy (except maybe in case of Mirren because I thought she over-did her character in Trumbo). Mara and Rylance for awards. I think..?


  1. Mad Max: Fury Road – George Miller
  2. Spotlight – Thomas McCarthy
  3. Carol – Todd Haynes
  4. The Revenant – Alejandro Gonzales Iñarritu
  5. The Martian – Ridley Scott
  6. Bridge of Spies – Steven Spielberg
  7. The Big Short – Adam McKay


Everyone’s betting on McKay after BAFTA, Golden Globe and Directors Guild nominations. Well, I disagree. I believe that Miller will get a lot of number one votes because Mad Max has been such a long production from the idea back in 12 years ago or so. I also believe that Scott, Iñarritu and McCarthy are shoo-ins and that leaves only Haynes’ place open and I think he deserves it more. To me the real dark horse is Spielberg and I have a tiny feeling that I’m just underestimating how liked he is. Heck, I love the man myself and would probably give him all the prices you could. He is the best director of all time if I just check the ratings I’ve given to his film. And I love his enthusiasm.  And Bridge of Spies is not bad. Still, I predict he’s out this year. How’s going to win? Your guess is as good as mine…


  1. Spotlight
  2. Mad Max Fury Road
  3. Carolstraightouttacompton
  4. The Martian
  5. The Revenant
  6. The Big Short
  7. Bridge of Spies
  8. Inside Out
  9. Brooklyn
  10. Straight Outta Compton
  11. Room
  12. Trumbo
  13. Sicario
  14. Steve Jobs
  15. The Hateful Eight
  16. Ex Machina

16 films in the running. Still. Maybe 14 if I take out Steve Jobs and Ex Machina that are really long shots which is stupid especially in case of Steve Jobs that will be nominated for the best actor, supporting actress and screenplay at least. Possibly also editing. So it kind of must be one of the best of the last year… Room I took away only today and replaced it with Straight Outta Compton. I don’t believe Compton is better but it’s different and I hate to say this, but it is the only film that has African Americans in the leading roles. Plus it was a pleasant surprise. I think the first six are locks and from the next seven I could put into top-10 any of them. Inside Out is there because I have a gut feeling that this is the one of those rare years when animation will make it to the Best Picture. And winner? Spotlight. The Martian? Mad Max (I wish!). Carol? Or The Revenant? I don’t know. We’ll see.

That’s it folks! Here you can see only the ones that I’m predicting without bubbling unders. Have a happy Oscar time! The stream of  the announcement for the nominations tomorrow (14th) at 5.30AM Pacific Time (that’s 2.30 in Amsterdam, 1.30 in GMT and 3.30 in Finland) can be found here.